Pharma Portfolio

Poetry

  • steady-handed magician from behind

    heavily drapes a fine mist that chimes

    with many star pieces. I

    am well,

    come the murmurs under umber masts

    of sheets, of eyelids. Deep crevasse

    of ocean deep welcomes a wandering

    mind.

    mild is the weather in the Mediterranean

    notes the wet whale, rotund pillow

    he smells of the salt sea, hung with crustaceans.

    he asks how I fare tonight, ever faithful.

    I, on unsteady, undulating knees,

    reply, I

    am Well.

    and from behind, sweet sleep creeps.

  • Black habits don my dour fellows

    As my peas practice greens and yellows.

    Wrinkled and smooth, they germinate.

    In pairs, they trade their looks, their traits.

    Father poses riddles to humble me:

    What monk knows of birds and bumblebees?

    Ah, but if I might hypothesize

    On brown that sits inside his eyes

    Though a true Father, he is not

    My blood is thick with his dark broth.

    How does spring grass win prominence

    Over resolute mud with its old dominance?

    Although I, recessed, in selfish blasphemy

    Will never bring forth vengeful progeny

    Can one day hope that green will triumph

    As like minds breed ideas out of silence.

    For now, I am the Independent Sort.

    Segregation is its own comfort.

    In the abbey they test the cross.

    Out in the garden, I cross to test.

  • Remember the conversations you imagined

    between Scylla and Charybdis: the

    rock and | the hardplace,

    or so you imagined that you remembered those conversations to

    pivot around stones turned over

    andoverandover – chafed smooth

    &featureless as a rock

    and a hard place:

    Scylla and Charybdis.

  • I like fall in New York

    with the impatient people all in black

    and the leaves in a hurri

    cane stain of color –

    vermillions of gold bound to a spectrum

    with yelping ripe reds and

    sweet calling yellows strung together with

    shouts of chartreuse –

    like competing neon signs blink ing and

    changing at a personal pace,

    claiming the city’s diversity for their own

  • The nude branches thrash harsh

    against that color-sapped sky

    Lurid and lewd

    like veins crawling on the scalps

    of old gentlemen

  • There’s not much to be said

    about a red wheelbarrow. blaring

    red object

    viewed through a neutral noose:

    2% carbon, iron alloy composed, steel wrought casket forged from hearth-heated blisters annealed, recovered, recrystallized, fine grains remade (2,507 °F smelting temperature): molten rain. handles, onyx polyisoprene distilled from latex of the colloid carved out of a coil-barked tree growing thick and defiant in Cameroon. I

    gripped those handles like my hands would seep sap looked

    into the tray of that soiled alloy prayed that

    the red from the glow of hemoglobin was 3-4 grams of iron made steel twisted in

    side my center.

    that dip in the wheelbarrow like crooked discs in a

    spine. The weight of the wheelbarrow floating

    in my skull the skull that cupped eyes

    glazed with rain,

    regret, release, coldcalm dissolution

    I wept that brick ache laid burden by my hands

    the hands

    that grasped the slipslick rubber handles of the red wheel

    barrow.

    So much depends

    upon

    a red wheel

    barrow.

    and that’s how I remember it, officer

    everything

  • Part I: Papa (Iambic Pentameter/14 Lines/Turn)

    Long hours spent trawling through insurance claims

    won’t win me scraps that fall from your full plate

    Your tenderness you keep inside closed fists

    like savings stowed away for future days.

    I never did request another bowl,

    ashamed of what we could never afford.

    And yet, my teeth grow steadily harder

    from gnawing bones that you have picked with me.

    It neither becomes simpler, nor condoned

    at my age, onerously forty-eight,

    for beasts so large and old to mourn over

    a bowl of spilled porridge, long grown too cold.

    Part II: Mama (Turn/14 Lines)

    It neither becomes simpler, nor condoned

    at our age, stitched so tightly into matrimony, to over

    look appearances. Imagine, with threadpoint eyes,

    that stolid seat, once adorned altar on which to recline,

    fraying to irresolute softness while my bum becomes

    arthritically hard from sitting on empty funds.

    Imagine, still, the shaming surprise upon

    realization -- that your seat makes for poor sight

    even to unwary vagabonds whose freedom has pried

    open the unseen unseamliness of your imprisoned life.

    And the thought of them seated, impressed

    in worn cushions, swallowed and sunk, mired

    in the self-pity of middling creatures who’ve erred

    only in being too soft.

    Part III: Baby (Experimental)

    Teddy Bear, Teddy Bear, climb the stairs.

    Gold ghosts make no stirring steps

    up winking walkways to my bed.

    In a haze, she lifts my knees:

    a ghost who guides souls aggrieved

    Teddy Bear, Teddy Bear, say your prayers.

    Papa, help me lie still while

    my mind blunts tones to more gentle

    mentions of stray strangers who

    find comfort in our humble home.

    Teddy Bear, Teddy Bear, turn off the light.

    No night can black these golden curls

    unfurling abundant against my ribs so

    taxidermic stuffing can ride down to my toes

    worn iridescence: somebody’s fur coat.

    Teddy Bear, Teddy Bear, say goodnight.

    Goldilocks, Goldilocks won’t you try me on for size?

    I’m sure, of all the pelts, that mine is just right.